Guide: Shooting Concerts on Film
SHOOTING ON FILM presents its own set of challenges and limitations, but the beautiful nature and feel of it always make it worth it. Concerts tend to present an added layer of challenges and a new level of uncertainty that sure can cause some anxiety, but itโs an area of photography that is incredibly rewarding. Shooting from the photo pit is an incredible experience and serves as a wonderful opportunity to expand your portfolio in the music sector.
As shows open up and we can get back to live shows, many photographers have the opportunity to get in the photo pit for the first time. Hereโs some tips to ease any first-time anxieties and get you prepped for a great show!
Get Familiar
Regardless of what setting youโre in, your advantage will always be the knowledge you have for your gear. Whether youโre working with an SLR and need to know all the settings or youโre going with your good old point and shoot, make sure you know your camera like the back of your hand. Photographer Isabell Dowell notes, โYou donโt want to waste your time figuring out what f/stop to use or how fast your speed is, so know everything inside and out.โ
If you can, try to attend a show at the venue youโll be shooting to ahead of time to get a better sense of what youโre getting yourself into in terms of lighting, spacing and overall navigating the space. Take note as to if they have a photo pit, if there are any good views from the crowd you can snap pictures from and even non-photography related things like parking so you can be stress-free when it comes to shooting a show.
Choose the Right Film
The mix between low lighting and often backlit bright lighting doesnโt make for an ideal shooting setting but donโt be afraid. You can definitely still stick with fan favorites like Kodak Portra 400, but itโs worth exploring films with higher ISO, like Cinestill 800 or Portra 800. Make sure your both your camera and photo lab are equipt to handle whichever film you choose. Experiment with bumping up the ISO of whatever film if your camera allows, but once again make sure your lab is able to do so.
Confirm, Confirm, Confirm!
There are few things worst than not being on the list when youโre supposed to, so if youโve gotten a photo pass from the artist or venue, double check that youโre on the list with the proper credentials to avoid any last minute situations that tend to leave you frazzled. Donโt wait to arrive till the last minute before the set youโre supposed to shoot just incase it takes longer than expected to get in. Most venues allow you to shoot the first three songs (no flash!), so every minute counts.
Look For Photos That Arenโt Just The Stage.
Everything from the marquee to people in the crowd can be a great opportunity for photos aside from the stage itself. Depending on the nature of the show and the artist youโre shooting, it can be worth asking if theyโre available before or after the show for some quick portraits. This relieves the worry of โwhat if I donโt have any usable shotsโ and is a great way to get in some good pics.
Visualize and Frame Your Shot.
When the lights dim and the curtain comes up donโt panic! Craft your shot as you would with any shoot and consider snapped a few in the same spot in case one doesnโt come out. Try to get most of your shots in when the lighting is on the brighter end and your subject has limited movement. Make sure not to stay in the same spot and allow other photographers in the pit to get their shot as well.
Have Fun and Experiment!
Film photography is ultimately about experimentation and finding what works best for you. Donโt be discouraged if you get your first roll back from a show and only a handful of shots are usable. Overtime youโll learn what gear and film are best for you and you're sure to pick up your own best practices. Start shooting at local venues and with smaller bands to get more comfortable and soon enough youโll feel at ease in the pit.
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